It's like some horrible monkey's paw situation

That would be an ecumenical matter

As a professional musician I play the genre of whatever the guy giving me money wants me to play

I don't know how the scene is in America but when I was working crew for the last couple years to supplement playing gigs I found that getting involved with or working for someone who does Corporate event set up can be a lot more consistent gig wise, the works not nearly as engaging but you can make a decent wage off setting up lighting and audio equipment for some companies PR do and so on.

Also I play bass for a living. I like making the big guitar go dun dun

He's like a little pancake

I'm just spitballing from event experience but if the crowd mic audio line is just an XLR run then it'd be the wrong way round to send any audio back to the stage.

Yeah I have a cheaters lament and I used the idler and had hats deleted from it

Have they tho

Look at his little hands

Please tell him I love him

Use as little force as necessary to actually make noise, keep your thumb kinda loose like don't hold it rigid, realise Marcus Miller was only ever good on other peoples records and his own music is shite

It literally costs about a tenner to get a single released on basically every available music platform

Tunecore, CDBaby and Distrokid are the major platforms for indie shit I'd know of

Fantastic

Sac is an innocent soul how dare you